One of the most unlikely franchises to develop in recent years is the ongoing “Wet Hot American Summer” saga.
Consider that the 1981-set summer camp comedy series started with a barely released feature film in 2001, one famously panned by Roger Ebert; he gave it one star, and ripped it apart in a parody of Allan Sherman’s “Hello Muddah, Hello Fadduh (A Letter from Camp).”
But it developed a cult following, leading to a 2015 Netflix prequel, “Wet Hot American Summer: First Day of Camp,” and now a Netflix sequel, “Wet Hot American Summer: Ten Years Later.”
Like the others, the newest installment is hit-or-miss, often in poor taste, and absolutely delightful.
Title: “Wet Hot American Summer: Ten Years Later”
Year it began: 2017
Where it can be seen: Netflix
Typical episode length: 30 minutes
Number of episodes: 8
Who’s in it: Elizabeth Banks, Michael Ian Black, Janeane Garofalo, Ken Marino, Amy Poehler, Paul Rudd
Brief plot description: The campers and counselors of Camp Firewood meet for a reunion 10 years after their last day at camp.
Why it’s worth watching: There’s a pretty easy way to tell whether the “Wet Hot American Summer” series is right for you. Go back to the original film -- sadly, it’s not currently on Netflix -- and skip to the memorable “going into town” scene, in which the campers of Camp Firewood visit a nearby town to visit the library, buy some cocaine, and eventually wind up in a crackhouse. If that makes you laugh, prepare to binge the entire saga. If not … well, find something else.
The brainchild of director David Wain and actor-writer Michael Showalter (now the remarkably accomplished director of “Hello, My Name is Doris” and “The Big Sick”), “Wet Hot American Summer” marries the camp hijinks of “Meatballs” with the absurdist sensibilities of “The State” (Showalter was a founding member of the comedy troupe).
In “Ten Years Later,” nearly every star from the first two installments returns: Amy Poehler, Elizabeth Banks, Michael Ian Black, Janeane Garofalo, Paul Rudd. Bradley Cooper is the notable exception, but he’s ably replaced by Adam Scott. (He refers to a recent nose job.)
Set in 1991, the plot, such as it is, revolves around the possible sale of the camp by Garofalo’s Beth, and introduces Ronald Reagan as a villain, because why not? “Ten Years Later” does not quite hit the comic highs of the original film, or “First Day of Camp.” But it provides more than enough late-summer entertainment to be worth your while. Fingers crossed for a 2001-set "Twenty Years Later."