The surprising thing about touching down at Lisbon Airport is how fast, heading south in a car, you find yourself transported into deep countryside. I arrived on a mild October morning, was met there by my old friend Martin Earl, and within a few minutes was crossing the Vasco da Gama Bridge, longest in Europe, an affair of towers and cables that stretches like a single bolt of flung steel across more than 10 miles of the Tagus River estuary. Immediately thereafter we swerved off the highway and decelerated into the dreaming, older world of the Alentejo (the word literally means “beyond the Tejo” or Tagus).
For the next five days we’d travel among medieval whitewashed villages, rolling hills, mountain forts and a constellation of sparklingly modern vineyards. Long a vacation destination for travelers on the lookout for European pleasures at typically Portuguese budget prices, the Alentejo is finally taking its bow on the international stage and is rapidly becoming one of the top wine destinations in the world.
This fact would have both positive and negative consequences, as I’d come to discover. In the meantime, I was there to sample the landscapes and hospitality with my friend Martin, who would also be my guide. By way of background I should explain that Martin and I were part of a group of five guys who had met in college, been star-struck by the dream of literature and remained adream ever since – even while somehow, inexplicably, becoming middle-aged along the way. But differently from the rest of us, Martin, a poet, had “gone native,” settling down with a local Portuguese girl and crossing over into a life lived entirely – and permanently – in another language.
By now, 40 minutes from the airport, we were passing through sun-dappled alleys of plane trees with, beyond them, irregular row upon row of cork oaks. “I sometimes call this area Corktugal to myself,” Martin said with a dry laugh. The beautiful cork oak somewhat resembles a stouter, leafier olive tree, and is hand-harvested of its bark once every 10 years. The forests themselves are both a giant cash cow for the national economy – 60 percent of the global cork trade originates in Portugal – and one of the most concentrated examples of biodiversity on earth.
We found a promising-looking lunch place called Porfírio’s, with Mediterranean tavern décor of whitewashed walls and beamed ceilings. A tray of the tasty pay-as-you-go appetizers or entradas typical in Portugal was soon placed on our table: herbed and vinegared olives, breads, sausages and two kinds of fresh cheese. The lunch itself opened with an exquisite dogfish soup – the dogfish is a kind of shark, white-fleshed and sweet – followed by a first course of something called arroz de pato, or duck rice. A staple of the Portuguese menu, this dish characteristically distills the simplicity of its ingredients into something that explodes on the tongue like a bomb.
The next two days would take on an easy natural rhythm of eating, sightseeing and drinking the cheap, wonderfully well-structured local wines. We stayed in the beautiful mountain towns Monsaraz and Marvão. Each of them was originally built as a fortified redoubt against invasion from nearby Spain and was visible from the valleys below looking like a kind of terra-cotta headpiece set high in the hills. Each was entered through several miles of switchbacks, and inside the thickly fortified walls, each had a similar array of aerobically steep cobbled streets, a castle, a small museum, shops, restaurants and panoramic views.
After two days of sojourning at altitude we returned to the plains and began following signs for “rota dos vinhos,” or the “wine route.” These soon brought us to the Adega Mayor winery, a hypermodern collection of cubes and cantilevers set out in the hills and designed by the famous Portuguese architect Álvaro Siza. We toured the ingeniously constructed building and sampled some of the exquisite wines.
But it would be at lunch the next day that Portugal would finally offer up a truly world-class dining and drinking experience, one worth flying seven hours for and then driving a bunch more. It would take place at the Herdade dos Grous, a giant vineyard and estate in a village south of Beja, a town boasting a hotel whose services we didn’t have time to sample and a restaurant whose services we did.
In the high-ceilinged dining room, with views over the quilted green vineyards and a man-made lake, we ordered the chef’s tasting menu accompanied by paired wines. The meal opened with a luxe version of typical entradas, the flavor of each small meat, cheese and vegetable dish as particularized as the panes of a stained-glass window. A lighter-than-air dogfish soup was followed by a veal medallion set in two Nike swooshes of mustard sauce, served with fingerling potatoes, a topping of radish sprouts and roasted chickpeas.
The paired wines of Herdade dos Grous began with a clean, delicate palate-cleansing white and accompanied the meal along an arc of increasing depth and complexity that ended with the cymbal crash of a 2011 Grous Reserva red. The net effect of this was one of the great culinary transports of my life.
Afterward, I had the good fortune to talk with Luís Duarte, the man responsible for the extraordinary wines I’d just drunk. Duarte, who consults widely throughout the Portuguese wine industry, is the only one of Portugal’s vignerons to have been named the winemaker of the year twice and is probably the most recognized voice of Portuguese wine, both at home and abroad.
When asked the difference between Portuguese wine and that of other nations, Duarte didn’t hesitate. “The wines of Chile and Argentina are too sweet,” he said. “You think Spain, you think the tempranillo grape. Well, we don’t use the same grapes everyone else does. We have 315 different grape varieties, many of them unique to us. We’ve also taken many French grapes and adopted them for our own use.”
With a wave of the hand, he indicated the glasses on our table, still filled with the remnants of his elegant, delicious vintages, including several (of his own label) that have regularly landed in the Wine Enthusiast magazine’s Top 100, and said: “You want a velvety and well-balanced wine at a good price? Think Portugal.”
After lunch, elevated by the previous two hours of eating and drinking, we strolled a bit in the nearby vineyards. It was late afternoon, the sun low in the sky, and in the lengthening shadows, workers were still on the job industriously trimming the vines. The air was filled with nostalgic aromas of earth and mowed grass, and as we walked, I found myself remembering my own near-exile in Italy, a place where I’d spent a total of eight years. Different from the Alentejo, Italy is long accustomed to being a sightseeing shrine of sorts, and its tourist treasures, as extraordinary as they are, often have a kind of annealed feeling to them, as of having been visited so often that they’ve been buffed smooth by the experience.
But Portugal, and particularly the Alentejo, give an entirely different impression: that of a place – showcase mountain towns apart – still waking up to its own worldly importance, and as a result, still vivid and sparklingly fresh.