Colin Firth, playing a monarch with a debilitating stutter in "The King's Speech," found something unusual happening during shooting: He began experiencing symptoms in parts of his body not associated with speaking.
"At the end of some days on set I would get headaches, and a few times I did something weird to the nerves in my left arm and couldn't move it. I still don't know what it was," Firth said of his leading part in the highly lauded royals drama. "It sounds like an actor trying to talk about the rigors of the role, but it really was the strangest thing."
Filmgoers might not be surprised to hear that Firth's performance took on a physical cast. In a turn as demanding as it is subtle, the actor plays Bertie, the future King George VI, afflicted by a stammer so crippling he can't speak publicly. It's a malady with geopolitical consequences, as he is urgently needed to reassure a British public anxious about Hitler's rise and Nazi aggression. But the stuttering also has an emotional aspect -- Bertie is the product of a repressed upbringing and a friendless adulthood.
Director Tom Hooper's film traces an improbable real-life relationship that develops between Bertie and a quirky Australian speech therapist (Geoffrey Rush). "The conceit of the film is to take a man and isolate him as much as you can possibly imagine -- and then set up a situation where a friendship has to be achieved in spite of that," Firth explained.
Best known in this country for romantic comedies such as "Bridget Jones's Diary" and "Love Actually" (and, to a devoted female audience, Mr. Darcy in a 1995 British television adaptation of "Pride and Prejudice"), the 50-year-old has recently found himself on a new acting level. Last year, Firth's performance as a grieving gay professor in "A Single Man" earned him a lead actor Oscar nomination. He's all but assured of repeating the feat with "The King's Speech" and has already been nominated for a multitude of awards including a Golden Globe.
The actor had always sought serious roles but has often ended up as the guy chasing the girl in romantic comedies.
"I'm more comfortable in dramas than in comedies, and I think there's a certain irony that for so many years I was involved on the comedy side," Firth said, his easy eloquence, wavy auburn hair and fashionable plastic glasses confirming his reputation as the thinking-woman's heartthrob. "Some of them I'm really happy to have done. But they're not necessarily movies that I would go to."
Although his new role never devolves into bathos, Firth's Bertie doesn't shy from the more brutal manifestations of his disability. "Tom pushed me not to be afraid of how much stammering we were going to listen to," Firth said. "There would be days when I'd say, 'You want that much, you really want me to do that?' And he'd say, 'We have to go a darker place.' "
Hooper, for his part, says "Colin was concerned there would be too much stuttering and the audience would find it unwatchable. My feeling was [Bertie's condition] had to be profound."
Hooper says that Firth was the rare actor who could pull off the tricky feat of imbuing a remote monarch with heart.
Firth also pored over hours of audio recordings and photographs of King George VI to prepare to play the historical figure. Yet the result is hardly a starchy period piece but an inspiring and often quite comic crowd-pleaser; the movie has played extremely well at the Telluride, AFI and Toronto film festivals, the last of which gave the film its top audience award.